;reatine sector isnÌt bust a earket W illem J eths, mu sic composer, N et h erlands T h e most b eau t ifu l sou nds in t h e w orld creat ion. T h ey also need st rong copy righ t do not consist of merely one simple law s t h at provide t h e creat ive commu nit y t one, an odd single sou nd or an isolat ed w it h t h e necessary and su st ainab le ch ord. T h e most b eau t ifu l sou nds are t h e fou ndat ions t o prot ect t h eir righ t s and ones t h at h ave not b een composed b y a earn fair remu nerat ion from t h eir w ork s. mu sician. T h e most b eau t ifu l sou nds do Copy righ t enab les t h em t o generat e not h ave copy righ t ; a k iss, a foot st ep on income w h ich mak es it possib le for t h em, t h e pavement of y ou r loved one coming and fu t u re generat ions, t o professionally h ome, t h e ru st ling of leaves in t h e t rees, cont rib u t e t o an act ive, cont inu ou sly t h e roar of t h e su rf. evolving cu lt u re and increased Composing is somet h ing complet ely employ ment . different . It is t h e sh aping, t h e creat ing of P olicy - mak ers sh ou ld encou rage t h e sou nd w it h t h e pu rpose of t elling a st ory : development of cu lt u re. N ot only b ecau se t h en, t h e mu sical craft sman w ill get t o it ensu res enrich ment , ch ange, relax at ion © F riso K eu ris w ork . H e w ill t u rn sou nd int o mu sic, b y and movement , b u t also b ecau se it polish ing, improving, slaving aw ay and creat es j ob s. Close t o 3 0 million people list ening t o it again and again. Aft er t h at , in t h e w orld w ork in t h e creat ive sect or. it can b e h eard b y any one, and every one W e ex pect policy - mak ers t o realiz e t h at can, and w ill, t h ink somet h ing of it . B u t t h e creat ive sect or isn’ t j u st a mark et t h ere are only few t h at act u ally mak e b u t deserves invest ment and needs t o money on it , or t ry t o. b e prot ect ed. B y doing so, t h ey w ill k eep Creat ors need freedom of cu lt u re, cu lt u re alive, serve t h e pu b lic int erest freedom of speech and freedom of and gu arant ee t h at creat ors can cont inu e t o mold sou nds, w ords or images. Kuhhortin_ creators in t`e \i_itad era Cé cile K ayirebwa, singer and songw rit er, R w anda T oday ’ s climat e is fu ll of h ope and in R w anda or if w e are st ill at t h e st age innovat ion. Art ist s are organiz ing of “ w ish fu l- t h ink ing. ” D oes t h e mu sic t h emselves, developers creat e plat forms produ ced in R w anda h ave t h e necessary for online sales/ dist rib u t ion, st reaming level t o compet e in t h e glob al mark et ? and applicat ions, and b ig t elecom D oes t h at “ pop sou nd” favored b y companies are collab orat ing w it h art ist s. y ou ng people b ear a u niq u e and original T h ere is an aw ak ening of R w anda’ s R w andan ident it y ? mu sic scene. T h is involves b u sinesses, R w anda sorely lack s lab els, digit al corporat ions, government agencies, dist rib u t ion net w ork s, people w it h real y ou ng ent repreneu rs, and media, and all k now ledge and ex perience, compet ent of t h is cau ses ex cit ement , a b u z z . W e can creat ors and b u sinesspersons w h o even ob serve a ph y sical manifest at ion on u nderst and t h e real issu es in order t h e net t h rou gh variou s art icles and ads t o cent er all t h is energy in t h e righ t on social media. direct ion. © R oger S angw a T h e q u est ion now is w h et h er t h is is a t ru e digit al revolu t ion t h at is t ak ing place | )(. Cultural times L`e Õrst _dobad eah o^ cudturad an\ creatine in\ustries