Aehrone\ coddectine eana_eeent is keq ^or \enedohin_ creation David H irschfelder, emkician$ file kcore coehoker$ 9mktralia In t h e 3 5 y ears, D avid h as b een involved T ognet t i and Lisa G errard, sh ow s t h e in t h e mu sic indu st ry b ot h in Au st ralia need for collab orat ion and sh ared and ab road. Copy righ t and roy alt y au t h orsh ip. h ave h ad a direct impact on h is income T h e advent of digit al t ech nologies h as st reams. Zeen ki_nificant for file coehokition E arly in h is career, D avid’ s role as and produ ct ion. Lik e most composers, t h e mu sical direct or and composer D avid b rings t h e new t ech nology t o h is for t`e )11. file Shine, b ased on w ork t h rou gh a digit al composing su it e t h e life of pianist D avid H elfgot t , w as y et h e ret ains h is passion for all t h ings simu lt aneou sly a crit ical and commercial classical, especially t h e u se of orch est ral su ccess and a copy righ t b at t legrou nd, inst ru ment s, as w ell as h is b eloved b ot h from h eirs t o t h e R ach maninov B ö sendorfer grand piano. T h e digit al age est at e t h rou gh a moral righ t s act ion and h as also b rou gh t it s sh are of ch allenges. D avid’ s ow n lit igat ion t o secu re roy alt y D avid lament s t h e democrat iz at ion of © T im J ones P h ot ograph y 2 0 1 4 pay ment s for sou ndt rack u nit s sold. emkic and file and t`e anonyeity _iven or epaehle$

Cultural Times - Page 116 Cultural Times Page 115 Page 117

Next in

Next in