;;A contribute\ MK*((b to t`e T he wellsp rings of digital revenue, U S $ b, 2 0 1 3 \i_itad econoeq in *()+ 1 9 8 . 6 T ot al D igit al cu lt u ral goods are, b y far, t h e b iggest revenu e sou rce for t h e digit al economy , generat ing U S $ 6 6 b of B 2 C sales ( eb ook s, mu sic, video, games) in 2 0 1 3 and U S $ 2 2 b of advert ising revenu es for online media and free 8 5 . 1 st reaming w eb sit es su ch as Y ou T u b e. Cu lt u ral goods and event t ick et s are increasingly sold on int ernet plat forms via e%retailerk and online clakkifiedk$ 2 1 . 7 generat ing U S $ 2 6 b in sales and driving t h e grow t h of t h e online economy . D igit al advert ising creat ion O nline advert isement s provided U S $ 8 5 b Advert ising revenu es for online media in revenu es for advert ising agencies in 6 5 . 6 and free st reaming w eb sit es 2 0 1 3 . T h e online migrat ion is driving D igit al cu lt u ral cont ent B 2 C sales agencies t o develop new sk ills in video, P h y sical cu lt u ral goods sold on cont ent produ ct ion and st ory t elling. t h e int ernet 2 6 . 3 9ut`orsÌ ri_`ts an\ \i_itad \enices2 hrinate cohqin_ denies S ou rce: E Y analy sis, M AG N A G LO B AL ( 2 0 1 5 ) , T h omson R eu t ers ( 2 0 1 5 , Y ou T u b e ( 2 0 1 5 ) , D aily mot ion ( 2 0 1 5 ) , are a tren\in_ tohic S pot ify ( 2 0 1 5 ) P rivat e copy ex cept ions t o au t h ors’ of t h eir w ork s, in ex ch ange for a fair devices ( su ch as CD s and D V D s) and righ t s/ copy righ t s and neigh b oring compensat ion ( a fee t ak en on each st orage capacit ies on ph ones, t ab let s ri_`tk conktitmtek t`e only efficient and copy ing device) , t h u s allow ing t h e pu b lic and compu t ers and are massively u sed operat ional w ay t o t ransfer part of t h e t o legally copy t h eir w ork s for t h eir ow n t o copy cu lt u ral w ork s. valu e creat ed b y cu lt u ral w ork s from mke& At Zenefitk Zot` t`e hmZlic and t`e T h e ch allenge is t h at in many cou nt ries digit al play ers t ow ard t h e creat ors of manu fact u rers of copy ing devices ( as t h e t h is sy st em does not ex ist . In ot h er t h ese w ork s. devices w ou ld h ave mu ch less int erest cou nt ries act s of privat e copy are P rivat e copy is a legal concept invent ed w it h ou t creat ive w ork s t o copy ) w h ile permit t ed b u t no compensat ion is in G ermany in 1 9 6 5 , at t h e t ime w h en not neglect ing t h e need t o compensat e grant ed t o creat ors ( t h e U K ) . T h is magnet ic copy ing mach ines ( for mu sic) creat ors for t h e u se of t h eir righ t s. means b illions of dollars or eu ros lost w ere invent ed and people w ou ld b u y T h e privat e copy ing levies sy st em for creat ors w h ose w ork s are copied for t h em t o copy mu sic from t h e radio for proved adapt ab le and w as, t h erefore, people’s u se and ent ert ainment w it h ou t t h eir personal u se. adopt ed in many cou nt ries; 5 2 cou nt ries any compensat ion. T h e G ermans creat ed an ex cept ion t o w orldw ide h ave a privat e copy ex cept ion au t h ors’ righ t s b y w h ich creat ors w aive now aday s, inclu ding B u rk ina F aso and t h eir righ t t o au t h oriz e/ forb id t h e u se 9l_eria& At hrovek harticmlarly efficient in t h e digit al age, w h ere b lank copy ing | *( Cultural times L`e Õrst _dobad eah o^ cudturad an\ creatine in\ustries