Content thumbnail Cultural Times

Hrotectin_ aut`orsÌ ri_`ts an\ s`arin_ nadue2 o`at is coddectine eana_eeent7 Au t h ors’ righ t s/ copy righ t can b e L`e firkt ;EG to Ze created oak ex ercised eit h er via individu al S ACD in F rance in 1 7 7 7 . T h ere direct licensing ( e. g. , a mu sic are now more t h an 2 0 0 su ch produ cer negot iat ing t h e price CM O s represent ing all t y pes of of t h eir cat alogu e w it h an repert oires and fou r million creat ors online mu sic service) or t h rou gh oorldoide forein_ an efficient collect ive management . net w ork t h rou gh CIS AC. T h eir Collect ive management came primary goal is t o manage economic t o b eing as an economic answ er righ t s and collect and dist rib u t e t o t h e ch allenges present ed remu nerat ion t o creat ors for t h e b y many - t o- many mark et s: it u se of t h eir w ork . CM O s also w ork is impossib le for each au t h or/ t o creat e a su st ainab le environment composer t o deal direct ly w it h each for t h e development of copy righ t u ser of t h eir w ork , t o give t h em and au t h ors’ righ t s t o fost er and au t h oriz at ion t o u se t h eir w ork s encou rage t h e development of and get remu nerat ion. F or inst ance, cu lt u ral diversit y , and t o promot e S ACE M , t h e F rench mu sic collect ive t h e disseminat ion of creat ive societ y , h as 1 5 3 , 0 0 0 memb ers repert oires w orldw ide. and 5 0 0 , 0 0 0 u sers. It cou ld b e CM O s are part icu larly w ell- adapt ed pract ically impossib le for each of t o t h e negot iat ing of righ t s in t h e t h ese memb ers t o negociat e or digit al era as t h ey provide a one- ent er int o a licence agreement w it h st op- sh op t o get licenses for t h e every pot ent ial licensee. Collect ive D igit al S ou nd P rogrammes ( D S P s) management organiz at ions ( CM O s) for a large nu mb er of w ork s, t h u s are generally ru led b y creat ors fost ering legal secu rit y as w ell as t h emselves, t o b e b ot h t h e int erface simplicit y . F or creat ors and art ist s, b et w een t h em and t h e people u sing t h ey provide plat forms t o manage t h eir w ork s. CM O s are w ork ing nano/ micro pay ment s and pay ment s as cooperat ives, w h ere t h ey can for t h e u se of t h eir w ork s w orldw ide, assemb le t h eir w ork s t o get b et t er and ensu re t h at all repert oires are b argaining pow er w it h u sers ( media t reat ed eq u ally — essent ial t o ensu re ou t let s su ch as T V , radio, int ernet , t h at cu lt u ral diversit y h as t h e means digit al companies, t h eat ers, concert t o b lossom. h alls, et c. ) | Cultural times L`e Õrst _dobad eah o^ cudturad an\ creatine in\ustries *)

Cultural Times - Page 24 Cultural Times Page 23 Page 25