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L`e eusic in\ustrq a\\s nadue to t`e Ni_erian econoeq N iniola A llan A zeezat, songw rit er and performer, N igeria T h is is a great t ime for N igerian mu sic, Alongside leading art ist s, t h ere are j ob s P osit ively , b ecau se w e can easily record o`ic` ik findin_ a _loZal amdience& L`ik for b ack u p singers, inst ru ment alist s, ou r voices and forw ard t o a produ cer reÖectk t`e creative drive of omr comntry$ dancers, ch oreograph ers, pu b licist s, t h rou gh emails and ot h er plat forms. A especially from t h e y ou t h . Almost st y list s, event decorat ors . . . produ cer can also send b eat / inst ru ct ion every w h ere y ou t u rn t h ere’ s an u pcoming T h e mu sic indu st ry is creat ing seriou s t h rou gh email, and so on. art ist . Almost every family in N igeria, employ ment opport u nit ies, servicing N egat ively , as ou r mu sic is b eing easily especially in t h e cit ies, h ave an art ist in different indu st ries. In sh ort , t h e N igerian pirat ed and sold online. T h is deprives t h eir folds. mu sic indu st ry h as added great er valu e creat ors from t h eir righ t fu l remu nerat ion W h at t h is h as done is giving t h e y ou t h s t o t h e N igerian economy . and w ou ld req u ire sw ift act ion from h ope. R egardless of t h e w oes of t h e In fu t u re, sale of mu sic on CD s w ill government s t o enforce ou r righ t s. cou nt ry , t h ey h ave h ope of a b righ t er day no longer ex ist . All mu sic w ill b e sold t h rou gh creat ivit y . t h rou gh mob ile ph ones, w eb sit es and T h e ot h er aspect is t h at it provides j ob s ot h er digit al means. D igit al t ech nologies t o y ou ng people in t h e creat ive sect or. h ave b ot h posit ively and negat ively inÖmenced omr art& ;udture is not ondq ^or entertaineent Carlinhos B rown, mu sician, singer, songw rit er, B raz il T o b e an art ist is part of my self. I’ m a t o develop new t ech nologies. B u t h e server of t h e art and t h e preservat ion needs also t o learn from t h e past b ecau se of t h e legacy of ou r ancest ors. It w as oit`omt t`ik fomndation oe oill find t h rou gh t h e “ t imb au ” 3 t h at I h ave ou rselves lost . A t ab let can’ t replace t h e discovered t h e w orld, and it w as t h e plow . I b elieve it is necessary t o reconcile, “ t imb au ” t h at t h ou gh t me t h e real t h e b est w ay possib le, t h e digit al w orld valu e of t h e environment w h ere I come w it h t h e analogic w orld. T h is is t h e great from. I h ave alw ay s h ad t h e dream of ch allenge in front of u s! Int ernet h elps overcoming t h e depreciat ory image of a lot t h e creat or t o b ring it s w ork t o t h e “ favela” and I made it . I’ ve st ru ggled; any cont inent , t o b e ack now ledged and I’ ve gone aft er part nersh ips and t oget h er recogniz ed and, ab ove all, t o b e ab le t o w it h t h e commu nit y of Candeal P eq u eno, research and t o learn ab ou t w h at h as in S alvador, w h ere I w as b orn, I’ ve b een produ ced all over t h e w orld. B u t managed t o reach on of t h e b est Index I do valu e t h e oral t radit ion, t h e face- t o- of H u man D evelopment in B ah ia. W e face cont act w it h my mast ers and w it h © Imas P ereiras h ave creat ed mu sic sch ools and regu lar people t h at admire my w ork . W e all h ave sch ools; w e’ ve offered h ou sing and a lot t o learn and w e sh ou ld do it t h rou gh b asic sanit at ion t o t h e inh ab it ant s of t h e t h e most different sou rces possib le. commu nit y . F rom t h ere great mu sicians W e sh all w ork t o b ring aw areness t h at came ou t and t h ey are play ing w it h great cu lt u re is not only for ent ert ainment , art ist s all over t h e w orld. I’ m very prou d for part y ing, b u t it is also preserving ou r of t h is ach ievement ! M u sic for me is a root s. W e h ave a lot t o learn w it h t h e very pow erfu l agent of social and cu lt u ral cu lt u ral diversit y t h at const it u t es t h e t ransformat ion. legacy given t o u s. A h u man b eing needs t o drive h imself t ow ards learning; a h u man b eing needs 3 T imb au is a percu ssion inst ru ment , t h e main inst ru ment u sed b y Carlinh os B row n. O u t from h is t imb au h e creat ed t h e famou s grou p” T imb alada” . | 9 6 Cultural times L`e Õrst _dobad eah o^ cudturad an\ creatine in\ustries

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