;udture nee\s hubdic an\ hrinate innesteent N guizani Domingos, ch oreograph er, Angola 9rt definek t`e cmltmral identity of a t ech nologies can also h ave t h e sou rce T V programs, movies, videos and radio cou nt ry . Ch oreograph y u sed t o b e at of accu lt u rat ion and can damage or sh ow s t o serve nat ional needs b u t also t o t h e avant - garde of my cou nt ry ’ s cu lt u re, denat u re ou r cu lt u ral fab ric. b e ex port ed. ekhecially dmrin_ t`e firkt decade t`at Gmr firkt c`allen_e ik to defend omr Dakt$ creatork in all artiktic fieldk$ t`rom_` follow ed t h e independence. Lik e for ot h er cu lt u ral ident it y and su pport creat ors. ou r au t h ors’ societ y U N S C- S A ( N at ional art forms, t h ere w as a vib rant scene, Art ist s need su pport , b e it t h rou gh U nion of Art ist s and Composers- S ociet y b u t t h e lack of pu b lic policies t o su pport pu b lic policies, cu lt u ral pat ronage or of Au t h ors) sh ou ld b e ab le t o reap t h e t h e art w as det riment al t o many cu lt u ral legislat ion. W e need pu b lic and privat e rew ards for t h e u se of ou r w ork s. W e endeavors in Angola, and many art ist s in invest ment in edu cat ion, cu lt u ral cent ers, now h ave many reciprocal agreement s all disciplines ch ose t o leave t h e cou nt ry and concert venu es, and w e need new in place w it h sist er societ ies arou nd t h e t o b e ab le t o cont inu e t o w ork in t h e w ay s t o produ ce and dist rib u t e cu lt u ral w orld, and w e h ave j oined CIS AC, for t h e creat ive sect or. cont ent and t o ex port ou r cu lt u re and Zenefit of vikmal artiktk$ c`oreo_rah`erk$ T oday , y ou ng art ist s are ob viou sly t h e ou r art ist s. Creat ive indu st ries can play emkiciank$ fileeacerk and all t`e firkt to endorke neo di_ital tec`nolo_iek a maj or role in t h e development of ou r creat ors from Angola. and adapt t h em t o ou r realit y . T h ese cou nt ry , cont rib u t ing t o t h e creat ion of ;ontinuous iehroneeent in dicensin_ an\ coddectine eana_eeent o^ ri_`ts A chille F orler, M anaging D irect or at U niversal M u sic P u b lish ing, India A bout you: could you describe B ack in t h e early sevent ies, India’ s yourself ( your j ob/ p osition) and your S u preme Cou rt ru led t h at w h en au t h ors comp any/ organization? oorced for a file$ t`eir ktatmk oak t`at I am t h e fou nder of D eep E mot ions of “ h ired w ork ers. ” T h e produ cer w as, HmZlik`in_ <=H!$ AndiaÌk firkt emkic t`erefore$ t`e firkt ooner of literary and pu b lish ing company , fou nded in 1 9 9 5 . mu sical w ork s. In 2 0 1 2 , copy righ t law in T h e company w as acq u ired b y U niversal India t ook a new t u rn w h en b ot h H ou ses M u sic P u b lish ing ( U M P ) in D ecemb er of P arliament passed t h e Amendment s 2 0 1 2 , and I am now t h e M D of b ot h D E P in a landmark vot e of u nanimit y . It and U M P . cont ained t h ree import ant clau ses for au t h ors: au t h ors gained an u nw aivab le W hat are the p articular asp ects righ t t o roy alt ies eq u ivalent t o 5 0 % of all pu b lish ing income; collect ive licensing of of your industry ( music) in your lit erary and mu sical w ork s cou ld b e done country? only t h rou gh a societ y ; and all regist ered © Ch ant al F orler M ost of t h e mu sic in India is produ ced b y societ ies h ad t o re- apply for a license file hrodmcerk$ o`o t`en kell t`e Zmndled w it h in a y ear. “ mu sic righ t s” t o record lab els ( w h o H ow has your industry changed over w ere t h e t radit ional gat e- k eepers t o t h e the last few years? mark et in t h e age of ph y sical produ ct s) . Andia adohted itk firkt ;ohyri_`t 9ct in India is a u niq u e mark et , remark ab le in 1 9 5 7 , modeled on t h e B rit ish Copy righ t many w ay s. It rank s among t h e h andfu l Act , 1 9 5 6 . U nt il t h e early 1 9 7 0 s, H M V of cou nt ries t h at possess a pow erfu l ( now S aregama) h ad a monopoly over ent ert ainment indu st ry w it h crossover disc manu fact u ring, h ence t h e pract ice of reach : it s cu lt u ral produ ct s are pu rch ased “ b u ndled righ t s. ” b y consu mers from ot h er cu lt u res. | Cultural times L`e Õrst _dobad eah o^ cudturad an\ creatine in\ustries 9 9