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Kuhhortin_ creators in t`e \i_itad era V ince Degiorgio, songw rit er, Canada As t h e cu rat or of t h e S ongw ork s T h e S AC is u sing digit al t ech nologies w rit er camp program and Ch air of t h e t o creat e a plat form t h at w ill provide event s commit t ee for t h e S ongw rit ers ment oring, commu nicat ion and glob al Associat ion of Canada ( S AC) , t h e delivery of w ork from ou r memb ers, creat ive act ivit y t ak ing place at t h is u sing every t h ing from one- on- one video moment is incredib ly vit al t o t h e fu t u re ment oring t o song delivery and h elp w it h of Canadian songw rit ers. O u r event s and copy righ t prot ect ion t ech niq u es t h at programs h ave b ecome a h u b of act ivit y su pport creat ors. nat ionally for ou r memb ers and proj ect O u r ph ilosoph y is not t o fear t h e digit al part icipant s, giving t h em a lau nch pad for era, b u t t o drive a parallel road b eside emerging, est ab lish ed and even legacy it s const ant st at e of ch ange. T h e w ay s in level creat ors in ou r indu st ry . As an w h ich ou r messages w ill b e delivered in organiz at ion, w e are rising b ey ond t h e t h e fu t u re are forever ch anging. B u t all negat ive norms of t h e digit al age. st art w it h a song. © D enise G rant . 9 hroher reeuneration ^or aut`ors an\ artists is cruciad K laus Doldinger, composer, G ermany If w e gaz e b ack over t h e h ist ory of t h e su rvival and independence of t h ose mank ind and w onder w h ich valu es creat ing art and t h eir descendant s, and act u ally su rvived t h e u ps and dow ns of b y ex t ension of t h e art s t h emselves. t h at h ist ory , w e w ill inevit ab ly not ice T h e emergence of t h e digit al w orld t h at t h ey are t h e valu es of art creat ed alko Zrom_`t _reat Zenefitk to t`e artk b y individu als u sing w ords, mu sic in many areas, b u t t h ere are maj or and images. Invent ions lik e print ing, disadvant ages as w ell. recordin_$ file$ and eore$ caee aZomt T h e main ch allenge for t h e fu t u re w ill b ecau se people w ere int ent on preserving b e t h e need t o h armoniz e int ernat ional and ex panding t h ese valu es. T h is, in regu lat ions. Au t h ors and art ist s depend t u rn, at t ract ed more people t o new on proper remu nerat ion from t h e professions associat ed w it h t h e w orld of int ernet and from st reaming in part icu lar. t h e art s. T h e invent ors, t h e mu sicians, M aint aining ou r cu lt u re t h rou gh ou r t h e art ist s alw ay s remained a minorit y mu seu ms, t h eat res and sy mph ony compared w it h t h e h ost of individu als orch est ras is cru cial for ou r societ y . B y © F lorian J aennick e w h o st ood b y t h em and offered cru cial t h e same t ok en, preserving ou r valu es, su pport . T h e development of copy righ t , lik e copy righ t and su pport for coming as t h e core element of t h e preservat ion generat ions, is j u st as import ant . of righ t s, u lt imat ely led t o commensu rat e compensat ion for t h e u se of int ellect u al Lu ck ily , mu sic, and j az z especially , is so propert y . F u rt h ermore, t h is ensu red mu ch fu n du ring it s performance already . | 9 8 Cultural times L`e Õrst _dobad eah o^ cudturad an\ creatine in\ustries

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